MIPI renamed Music Rights Australia

ARIA and APRA|AMCOS have announced today that their joint venture body MIPI has 

been renamed MUSIC RIGHTS AUSTRALIA, effective immediately.

The new name better reflects the organisation’s focus on the rights of Australian music 

creators and performers, specifically its role in advocacy, education and protection.  A 

new-look website also provides easily-accessible information and resources for 

stakeholders and the wider public. 

MUSIC RIGHTS AUSTRALIA General Manager Vanessa Hutley said that while the name had 

changed, the core values had not.

Read full Details about MIPI's change of name here:

Basic Music Copyright questions answered

ProCopy as a reproducer of peoples musical and other works often gets asked to explain about copyright. Here are some basic points as per the guidelines set down by APRA & AMCOS (further information can be gained from their website at www.amcos.com.au )

There are two separate rights or ownerships associated with a musical work - the sound recording, and the associated underlying musical work. When either of these are performed or reproduced, a royalty is incurred. 

PPCA - Collects royalties for the Performance of Sound Recordings 
ARIA - Collects royalties for the Reproduction of Sound Recordings 

APRA - Collects royalties for the Performance of Musical Works 
AMCOS - Collects royalties for the Reproduction of Musical Works 

This grid shows you which organisation is responsible for the collection of each instance of copyright. 

Copyright Administration Companies Australia

To explain the difference between sound recordings and musical works, take the example of Hey Jude, by the Beatles. If you were to make and sell a CD featuring the recording of the Beatles performing that song that was originally sold to the public, you would have two copyright responsibilities: to pay a royalty to the owners of the sound recording, in other words that particular version of the song (which would be owned by a record label and administered by ARIA). The other responsibility would be towards the underlying musical work - the arrangement of music and lyrics owned by songwriters/publishers, and administered by AMCOS. 

Now if you were to hire a group of musicians to come into a studio and perform a cover version of that song, rather than use the original, you would not need to seek permission from ARIA in order to make that reproduction, as a new sound recording is being made, of which you are the owner. You would still need to pay a royalty to AMCOS however, as you are making a reproduction of a musical work. 

In short, musical works are the compositions themselves; sound recordings are mechanical versions of those compositions. Sampling of small sections of music is also covered by copyright, please see our other articles on that matter.

 

WARNING Don't pay for IRSC codes for videos

We are getting an increasing number of clients calling about getting IRSC codes embedded in to their video copies that are getting played on programmes such as RAGE on ABC TV.

There are a number of suspect issues with this practice that we need to alert the Australian Music Industry about:

1/ If you have IRSC codes for your music tracks issued by ARIA in Australia then you will be automatically allocated a video code for those tracks (it will contain a "7" instead of "2").

2/ This will be allocated free by ARIA in Australia along with your normal CD IRSC codes and there will be no extra payment required.

3/ To our knowledge (Also verified by SONY DADC, AMCOS, MIPI, APRA & ARIA)  there is no software available to embed this IRSC Code in to video tracks such as DIGI-BETA copies for RAGE

4/ There are no video playback devices that can retrieve and display these IRSC codes that we are aware of, so the code cannot be verified in the video.

5/ You should request IRSC codes from ARIA in Australia as they administer them in this country. There is no need to pay an individual or organisation outside of Australia for this work.

6/ If you are convinced or requested by an overseas person or company to buy an IRSC code for a video clip, and pay by WESTERN UNION or other untraceable banking method ASSUME that is bogus and you will be paying money for something that has no value. 

7/ Further information on IRSC codes can be gained on our website or via www.aria.com.au 

8/ We have had confirmation (15-12-10) from RAGE programmers at ABC Tv that these IRSC codes are not required when you submit a video tape for airplay on the show. 

For high quality digibeta copies of your video clips suitable for playback on programmes such as Rage, contact ProCopy on 08 9375 3902 or 1300 4 PROCOPY, Further enquiries can be made to [email protected]